Review: Girls Aloud – Out of Control

Even before Queen Cheryl of Cole sharpened her perfectly manicured judging nails to become the nation’s new sweetheart, Girls Aloud were adored by everyone from misery guts Noel Gallagher to toff David Cameron. Now teaming up with hit factory Xenomania again for their fifth studio album, our girls show no sign of giving up the hunt for the perfect pop song.

That perfect song might not, however, be exactly what you’re expecting. Instead of compelling us to race to the dancefloor and jump on our tutu, Out of Control has taken its lead from the success of icy ballad Call The Shots and brought us a shimmering album of heartbreaking electro pop with the tearstained melancholy of the Ashley baiting Love Is Pain its defining moment.

Forgetting about hugely disappointing Neil Tennant collaboration The Loving Kind, the Balearic bliss of epic seven minute marathon Untouchable and the haunting swirls of Turn 2 Stone (which cries out for a big trance remix) prove that you don’t have to be brassy to be brilliant. That said, if you’re running back to Tangled Up frantically searching for Girl Overboard, you need not fear. Although there aren’t as many stompers as usual, the sarcastic country of Love Is The Key and drum and bass anti-anarchy anthem Live In The Country, in which Sarah begs for a ”stall selling strawberry shortcake” will go some way in cheering you up. Miss You Bow Wow impresses as one big non-stop chorus and the dancehall mayhem of Revolution In The Head mean there’s no chance of an overly serious ‘we are no longer pop’ edict being issued.

Pop music at its finest, Girls Aloud have opened up their hearts, and finally won their battle against drippy, re-hashed ballads. Long may they reign.

Originally published at BBC Music

2 thoughts on “Review: Girls Aloud – Out of Control

  1. Gimme the ting! Gimme the ting! Gimme the oh-oh-oh!

    I now LOVE this album. It’s taken a few listens, but it luxuriates – gorgeous lyrics like beautiful robots dancing alone, and vocals to die for.

    I can’t pick a favourite – bits of everything do it for me.

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