Bargain Bin: Wasted Conversation and Bad TV

If there’s one thing my music collection can boast, it’s that it’s home to lots of pop songs which were brilliant but ended up erroneously consigned to the Woolies bargain bin for 49p. And sure as well I’m going to go on about them, particularly if it means more people are going to hear about them. Yes, I’ve gone on about the Rachel Stevens album to most people I know probably enough to last them a lifetime, but what about those odd little songs.

The first I’m going to mention is Abs – 7 Ways. Richard Breen was born in dear ol’ Hackney and somewhere along the way acquired the nickname Abs (never mind a dubious Jamaican accent) and joined a boyband. 5ive. 5ive were always my favourite boyband, and the brilliant 5ive megamix (complete with dance routines) soundtracked my time at uni, as well as our most recent houseparty. Then Sean got replaced by a cardboard cutout, and eventually the band split – only to announce their reunion last week. Whether the new 5ive will be much cop is yet to be seen, but I’m all of a sudden understanding my old friends love of J.

Abs went on to be the only member of 5ive to launch a solo career and even went as far to release a whole album – Abstract Theory. The Uptown Top Rankin sampling What U Got was a good starting point charting at #4 and other singles did as well before an acrimonious split with his record label. The poptastic PosterGirl has just posted a blog which goes into much more depth about his album and his singles, but I specifically wanted to talk about the dumped before it was ever released 4th single 7 Ways.

Introduced to me by Poptext Abby last year, 7 Ways is produced by Xenomania’s Brian Higgins and is a slowy by his standards. Opening with a soft, chiming electro noise, a melancholy beat continues with Abs softly bemoaning a lost love before Eve (not crazy American rapper woman, but a then, new BMG signing who doesn’t appear to have reappeared since) joins in with a soft, wilting chorus. It bizarrely reminds me of brilliant dance track 7 Colours by Lost Witness – c’mon you remember it, big trance-y track ‘7 colours, come across the sky and I remember my last rainbow’ ‘After the rain, comes the sun’ BOSH BOSH BOSH. I presume this is for more of a reason that both tracks begin with the number 7, as despite 7 Colours being a monstrously big dance track, it seems to me to have a similar vocal style and the female voice reminds me of dear, unknown Eve.

Watch and hear the song here: (n.b. the video is quite rubbish so don’t let that put you off)

Interviewing Fischerspooner

In 10 days or so (eeeek), I’m going to be interviewing the marvellous Fischerspooner. Emerge has remained a dancefloor classic and despite 2nd album Odyssey not doing very well commerically –  it was my 2nd favourite album of 2005.

So yes, now I’m interviewing them before their performance at Koko as part of Smirnoff and the Electric Cabaret on 12 October. How I’m going to get out of Miss-Shapes that night is a whole other matter and their stage time may leave me shooing James off to DJ while I dance in Camden. So… I might have a free spare ticket to this depending on a few things. Otherwise tickets are still on sale via the koko website if anyone fancies it for the bargain of £6.50!

My dilemma is – Fischerspooner are notoriously not the friendliest of bands. Maybe this is an unfair assumption people make, who knows, but still. I’m a bit shy with interviews anyway but this one is making me cack my pants! How do I talk about the fact that the critics hated Odyssey? And the fact that although I enjoyed their performance at Manumission, not many others knew who they were. All these and many life changing questions are yet to be solved.

But in any case, any fans out there with any questions I can ask the band for you?